1. |
|
|||
2. |
{AN} EeL - Odd Oddities
02:02
|
|
||
3. |
|
|||
4. |
|
|||
|
Our machine of choice; the tabletop model 1930's Columbia Viva-Tonal Grafonola in the photo. To achieve this result, Skit and I spent an afternoon experimenting with different types of microphones (and other recording devices), placed at varying locations, both inside and outside the machine. For each recording attempt, we would wind the spring up, place the tonearm on the space at the end of the record (for the extremely inquisitive, it was "The Lion And Albert", a 'humorous monologue' by Roy Barbour, released in 1934 on the Rex label) and either let it spin till the spring was fully uncoiled, or one of us would turn it off. We ended up with several real-time recordings to draw from, this is an edited composite made from the best of them. And in true musique concrète homage, of course, the tracks runs at 4:33!
https://www.reverbnation.com/magicbullet8
https://www.facebook.com/magicbullet8/
https://twitter.com/magic_bullet8
|
||||
5. |
pszren - vio
02:02
|
|
||
6. |
Lärmschutz - Seikilos
04:04
|
|
||
7. |
|
|||
8. |
|
|||
Ensemble for Sound Poetry and Contemporary Music Antarctica
Ensemble For Sound Poetry And Contemporary Music (EFSPACM) is a group creating various musical works. The basis of being part of the Ensemble is taking part in our projects.
If you like Ensemble for Sound Poetry and Contemporary Music, you may also like:
The ambient composer creates pieces reminiscent of short stories by Breece D’J Pancake, assembling familiar sounds in ways that render them haunted and suddenly unfamiliar.
go to album
The creator behind Recital celebrates 10 years by doing what he does best: calling on his friends to cut the kind of record he loves to hear.
go to album
Momentary Harmony
by Kajsa Lindgren
Lindgren's latest album departs from her previous work of heavy field recording use and instead focuses on voice, violin, and piano.
go to album
St Celfer returns with tracks culled from a series of live shows, each one a showcase for his inventive experimentalism.
go to album
Images
by Colin Andrew Sheffield
Colin Andrew Sheffield (Elevator Bath) repurposes heavily manipulated jazz samples into gorgeously eerie soundscapes.
go to album
Site Seeing
by Economy of Meaning
These two sprawling 20-minute electronic pieces offer both crackling, otherworldly textures and moments of surprising beauty.
go to album
Cataclysmic System Binding Loss
by Carbon In Prose
Shards of static & distortion crash against disarmingly beautiful piano & synth melodies on this riveting new record from Carbon and Prose.
go to album
